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Post by eulenspiegel on Oct 27, 2018 0:21:16 GMT -6
kraft-engel.com/clients/emily-bear/with music to click/ seem to be the orchestra recordings "The media music world is discovering score composer and songwriter Emily Bear who recently wrote and performed the Main and End Title songs for Warner Bros. upcoming NANCY DREW AND THE HIDDEN STAIRCASE." www.imdb.com/title/tt8323104/en.wikipedia.org/wiki/Nancy_Drew_and_the_Hidden_Staircase_(2019_film)www.comingsoon.net/movies/news/950755-first-look-at-new-nancy-drew-movie-as-production-beginsproducer Ellen DeGenres!!! ""Bear recently recorded original film music at Eastman Scoring Stage with an 80 piece all-star orchestra. “The thing that really caught my ear originally was her depth”, said Peter Rotter of Encompass Music, “the language that she speaks with musically is of someone who has had years and years of experience. She really has an innate knowledge of what works and of what moves people. That’s a huge help when she works with filmmakers, producers and heads of studios where she can come alongside them as a partner and really see what they are wanting and being able to translate it into music. I work with just about everybody in the business and I’ve never seen anyone with the talent she has.” Legendary film scoring pianist Randy Kerber stated, “It isn’t like this is good music for a 16 or 17 year old. No – this is good for a forty year old. It’s just great music. The sky’s the limit for Emily.”"
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Post by eulenspiegel on Oct 27, 2018 1:16:01 GMT -6
kraft-engel.com/clients/emily-bear/with music to click/ seem to be the orchestra recordings "The media music world is discovering score composer and songwriter Emily Bear who recently wrote and performed the Main and End Title songs for Warner Bros. upcoming NANCY DREW AND THE HIDDEN STAIRCASE." www.imdb.com/title/tt8323104/en.wikipedia.org/wiki/Nancy_Drew_and_the_Hidden_Staircase_(2019_film)www.comingsoon.net/movies/news/950755-first-look-at-new-nancy-drew-movie-as-production-beginsproducer Ellen DeGenres!!! ""Bear recently recorded original film music at Eastman Scoring Stage with an 80 piece all-star orchestra. “The thing that really caught my ear originally was her depth”, said Peter Rotter of Encompass Music, “the language that she speaks with musically is of someone who has had years and years of experience. She really has an innate knowledge of what works and of what moves people. That’s a huge help when she works with filmmakers, producers and heads of studios where she can come alongside them as a partner and really see what they are wanting and being able to translate it into music. I work with just about everybody in the business and I’ve never seen anyone with the talent she has.” Legendary film scoring pianist Randy Kerber stated, “It isn’t like this is good music for a 16 or 17 year old. No – this is good for a forty year old. It’s just great music. The sky’s the limit for Emily.”" "More than just a girl" is a pop track and Emily sings ! and "Daylight" - Wowwwww!!!!
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Post by ursus on Oct 27, 2018 11:11:50 GMT -6
Wow!!!!
Is that Emily singing on "Daylight" also?
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Post by eulenspiegel on Oct 27, 2018 16:02:49 GMT -6
Wow!!!! Is that Emily singing on "Daylight" also? Yes, it's her voice (naturally recorded in studio) Totally rocks As I said month earlier - design of forum has to change Finally Emily seems to be able to end this ..."oh so cute prodigy image"
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Post by ursus on Oct 27, 2018 18:38:53 GMT -6
Wow!!!! Is that Emily singing on "Daylight" also? Yes, it's her voice (naturally recorded in studio) Totally rocks As I said month earlier - design of forum has to change Finally Emily seems to be able to end this ..."oh so cute prodigy image" That is the best that I have heard her sing.
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wolfgang1959
Emily Fan
Be yourself; everyone else is already taken (Oscar Wilde)
Posts: 61
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Post by wolfgang1959 on Nov 7, 2018 12:31:55 GMT -6
Emily sings far better than I would have expected after her first appearance as a singer. And the songs are really good. Still, I don't believe in a career as a pop singer. In the USA the competition is big. I know I'm the pessimist on duty again, but the work on her EP will probably be a loss-making business. Much more important are the experiences she can gain with this project. The situation is different with her work on the film. Apparently she composed and recorded the entire film music. That is a strong achievement for such a young woman without an exam. Of course I will watch this film if it comes to the cinemas here in Germany. By the way: The samples on the website of Kraft-Engel seem to come from this Nancy-Drew movie except for "Aurora". A character named Flora plays along, and one of the titles is named "Flora's House"... Translated with www.DeepL.com/Translator
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Post by ursus on Nov 7, 2018 15:11:07 GMT -6
I am in complete agreement that her singing here is much better than that on the Queen Latifah Show. I am way past the age where I listen to current pop music, and I do not know what currently sells, but I agree that there is a lot of competition -- there always has been. I suspect that Emily, like any teenager, wants the admiration of her own age group and thus is drawn to pop music. We'll see if it sells.
I add that Jackie Evancho also has recently written and sung pop songs. The songs which Emily has written are much better from the point of view of fitting into current pop music. OTOH Jackie's voice, even without the high notes of her usual more classical songs, still has the Bel Canto sound which I and many others find very appealing.
The Kraft-Engel website states that Emily wrote the beginning and ending title songs for the Nancy Drew movie, but I agree that the other songs, besides for Aurora, sound like they would be appropriate for a mystery movie. I would probably be the only 70-year-old man if I want to the movie, so I will probably wait until it appears on TV. I do wonder how the music will be evaluated by the critics. It seems excellent to me.
Edit: The two songs which Emily sang have been removed from the Kraft-Engel website.
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wolfgang1959
Emily Fan
Be yourself; everyone else is already taken (Oscar Wilde)
Posts: 61
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Post by wolfgang1959 on Nov 7, 2018 15:44:02 GMT -6
In my opinion, Jackie Evancho has reached a dead end. She quickly had to learn that the genre "Classical Crossover" finds only a limited audience even in a big market like the USA. Other singers, such as Charlotte Church, have also turned to pop music for this reason and have perished in the process. The only exception is Sarah Brightman - a special case for various reasons. What Emily has ahead of such artists is their versatility. Even if she doesn't succeed in a career as a pop star, she can play jazz and classical music on the piano, work as a producer or compose film music. I'm sure she will go her own way. But I thought the same about Nikki Yanofsky - and I was seriously wrong... Translated (almost) with www.DeepL.com/Translator
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Post by eulenspiegel on Nov 7, 2018 16:24:40 GMT -6
For me - I might be wrong - that her carreer will explode. I don't know anything...but as Ellen DeGenres is the producer of this movie at least one or two performances would make sense. Her EP is not simple pop, from quality it's far better. Give her voice a few more years and she will blow all the Jackies etc. from stage. Voice, voice chords are kind of a muscle - regular training, singing and wirh her talent - with her voice print. Normal age to start e.g. with university/music school in singing is 18/19/20 ...voice chords have to be fully developed..her performance even at Queen Latifah showed more talent than Jackie Evancho. Many people don't realize that all the belting by kids is not normal. I really hope that they put her on some live TV shows...when it comes to songwriting the sky is also the limit. Btw. it's not about money. She is just 17. She never wanted as Andrea Bear put it in WGN docu a fly in the pan.
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Post by ursus on Nov 8, 2018 5:45:40 GMT -6
In my opinion, Jackie Evancho has reached a dead end. She quickly had to learn that the genre "Classical Crossover" finds only a limited audience even in a big market like the USA. Other singers, such as Charlotte Church, have also turned to pop music for this reason and have perished in the process. The only exception is Sarah Brightman - a special case for various reasons. What Emily has ahead of such artists is their versatility. Even if she doesn't succeed in a career as a pop star, she can play jazz and classical music on the piano, work as a producer or compose film music. I'm sure she will go her own way. But I thought the same about Nikki Yanofsky - and I was seriously wrong... Translated (almost) with www.DeepL.com/TranslatorIt is hard to compare Jackie Evancho with Emily because their talents are in different areas. Their main similarity is that they both started very young.
IMHO, Emily has the advantage of having gotten better advice than JE. Emily's parents have apparently spent a lot of money in getting her better instructors and advisors. JE's parents haven't. Also Emily appears to have more ambition than JE and appears to be significantly more intelligent. As you wrote, Emily also has talents in just about any area of music. JE doesn't. Her primary positive attribute is being able to sing with a perfect bell tone.
Europe is probably a bigger market for Classical Crossover than the US. She would probably benefit from participating in something like PROMS, but she does not have the contacts which Emily has.
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Post by eulenspiegel on Nov 8, 2018 12:52:35 GMT -6
In my opinion, Jackie Evancho has reached a dead end. She quickly had to learn that the genre "Classical Crossover" finds only a limited audience even in a big market like the USA. Other singers, such as Charlotte Church, have also turned to pop music for this reason and have perished in the process. The only exception is Sarah Brightman - a special case for various reasons. What Emily has ahead of such artists is their versatility. Even if she doesn't succeed in a career as a pop star, she can play jazz and classical music on the piano, work as a producer or compose film music. I'm sure she will go her own way. But I thought the same about Nikki Yanofsky - and I was seriously wrong... Translated (almost) with www.DeepL.com/TranslatorIt is hard to compare Jackie Evancho with Emily because their talents are in different areas. Their main similarity is that they both started very young.
IMHO, Emily has the advantage of having gotten better advice than JE. Emily's parents have apparently spent a lot of money in getting her better instructors and advisors. JE's parents haven't. Also Emily appears to have more ambition than JE and appears to be significantly more intelligent. As you wrote, Emily also has talents in just about any area of music. JE doesn't. Her primary positive attribute is being able to sing with a perfect bell tone.
Europe is probably a bigger market for Classical Crossover than the US. She would probably benefit from participating in something like PROMS, but she does not have the contacts which Emily has.
There is one main misunderstanding...one does not get instructors like Veda Kaplinski and others years ago at Juilliard, Ron Sadoff at NYU and for all Quincy Jones as mentor with money. Yes, there mabye a lot of spending for flight etc. but for people ...no way...musicians of that category don't blink with an eye if there is not incredible talent. In Germany no one is interested in Jackie Evancho..if she had more invested in recent years???.. but then she should have far more invested in development of her voice. Or looking now for university. Emily has next to her unbelievable talent...incredible but also subtle charisma...(total authenticity) - I think that before Jazzopen, before Night of the Proms ..more than 90% of audience had never heard of her before...one concert in Hamburg...the audience absolutely loved her, she was the star. A kind of similar story...when german then 18 yo teen Lena (total unknown schoolgirl, just making Abitur) from Hannover performed first time for ESC in a casting show with a Adele cover...german musician legend Westernhagen told her after this two minutes..."people will love you" One has it or not... 3 month later
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Post by ursus on Nov 9, 2018 0:08:22 GMT -6
It is hard to compare Jackie Evancho with Emily because their talents are in different areas. Their main similarity is that they both started very young.
IMHO, Emily has the advantage of having gotten better advice than JE. Emily's parents have apparently spent a lot of money in getting her better instructors and advisors. JE's parents haven't. Also Emily appears to have more ambition than JE and appears to be significantly more intelligent. As you wrote, Emily also has talents in just about any area of music. JE doesn't. Her primary positive attribute is being able to sing with a perfect bell tone.
Europe is probably a bigger market for Classical Crossover than the US. She would probably benefit from participating in something like PROMS, but she does not have the contacts which Emily has.
There is one main misunderstanding...one does not get instructors like Veda Kaplinski and others years ago at Juilliard, Ron Sadoff at NYU and for all Quincy Jones as mentor with money. Yes, there mabye a lot of spending for flight etc. but for people ...no way...musicians of that category don't blink with an eye if there is not incredible talent. In Germany no one is interested in Jackie Evancho..if she had more invested in recent years???.. but then she should have far more invested in development of her voice. Or looking now for university. Emily has next to her unbelievable talent...incredible but also subtle charisma...(total authenticity) - I think that before Jazzopen, before Night of the Proms ..more than 90% of audience had never heard of her before...one concert in Hamburg...the audience absolutely loved her, she was the star. A kind of similar story...when german then 18 yo teen Lena (total unknown schoolgirl, just making Abitur) from Hannover performed first time for ESC in a casting show with a Adele cover...german musician legend Westernhagen told her after this two minutes..."people will love you" One has it or not... 3 month later No doubt, Kaplanski, Sadoff, et al. would not have worked with Emily if she did not have the talent which she has, however that was not my point. It took the combination of money, talent, ambition, etc., and Jackie did not have all of those. I also agree that Jackie would benefit from training (at a college or elsewhere). I have said that several times on the JE forum.
I had never heard of Lena until I stumbled across her forum and your posts there. I considered joining and posting about Emily but decided that my German was not nearly good enough.
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Post by eulenspiegel on Nov 9, 2018 4:57:47 GMT -6
It was just example for having real charisma or not and what's possible with also having an incredible god given voice print...after 2 seconds everyone recognizes Lena's voice but she also was very lazy in terms of voice development or learning an instrument/about music. The release of her new album was 2 times postponed...her first album were kind if written for her, everything was planned now doing it in her own with try and error takes time...or as Emily put it in WGN feature..knowing what you're doing musically helps As I told earlier USA - as Jodie Frost was songwriter - won kind of in reality ESC 2010... also co songwriter next to Madonna of (Golden Globe)
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Post by eulenspiegel on Jan 19, 2019 6:52:56 GMT -6
First trailer released
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Post by eulenspiegel on Jan 29, 2019 16:05:12 GMT -6
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